The Daily Descent

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The Luminous 100, The Daily Descent, by Ammonule Santa Ana, Luminous Prosperity,
The Enchanted Descent, Daily Practices for Evolutionary Play and Healing, Voice, Ava.
Generated from the prompt, The Daily Descent, The Daily Practice of Descending Through Every Stage,
Contents 1. Awakening to the Descent, 2. Walking the Path of Daily Practice,
3. Wispers Along the Way, Aforisms for the Journey, 4. Healing in the Flow,
Reality's Gentle Movement, 5. Playing with Evolutionary Intelligence, 6. Dancing with Complexity,
Self-Organization and Attractors, 7. Where Cosmic Meets Playful,
The Final Alignment, Awakening to the Descent, Tuning Fork, Hiku, Roots Dip Into Dark,
Light Splits Through Leaves, Then Falls, Descent is My Breath,
Guoten, Descend like a River Into the Sea of Your Own Being,
Rumi, Citation Needed, Verify Attribution or Source, Parable, The Oak and the Sky,
Once in an Ancient Forest, A Young Oak asked the Eldest Tree,
"Why do you always reach for the sky when your roots go so deep into the Earth?"
The Elder Tree laughed, "It's branches swaying like wings."
"My friend," it said, "the sky is but a reflection of my descent.
I play with both roots and leaves, and in that play, I grow."
Structure and Technique, Daily Descent, Daily begin by noting one moment of descent,
whether it's the setting sun, a deep inhale, or the weight of your feet on the Earth.
Over time, this becomes a practice. Each day, descend further, not as an act of will,
but as an alignment with what already is. As you deepen, add layers.
One, Observation, Note where descent feels natural and where resistance arises.
Two, Reflection, Journal about the quality of your resistance.
Does it feel like grasping or like a reflex?
Three, Embodiment, Practice movement that mirrors descent, such as walking backward or slow,
controlled breathing. Finally, embody descent fully, walking with your eyes closed,
riding with your non-dominant hand, as play becomes the language of your being.
Luminous Definition, Luminous Definition, Lila, the divine play that weaves through all existence,
walking the path of daily practice, tuning fork, haiku, morning mist unwinds.
Each step, a whispered prayer, roots remember me.
Guut, you are not a drop in the ocean. You are the entire ocean in a drop.
Roomie, Source Verification needed. Parable, the path unfolds.
One autumn, a woman named O'Lara began walking the same forest path every morning.
At first, it was just a way to start her day. She noticed the crunch of leaves underfoot,
the way sunlight dappled through the trees, and the cool breeze that carried the scent of damp earth.
But as weeks passed, she noticed subtle changes.
The oak tree at the bend in the path seemed to lean slightly toward her when she approached it.
On rainy days, the mushrooms along the trail appeared to glow faintly as if greeting her.
She started carrying a small notebook, jotting down these observations, though she wasn't sure
what they meant. One morning, she decided to take a new route, following a narrow path
that branched off to the left. To her surprise, it let her deeper into the forest than she'd
ever gone before. When she returned to her usual path, she realized she'd created a loop,
a circle of sorts. She laughed aloud, feeling a sense of wholeness she hadn't experienced before.
Over time, Alara's walks became less about reaching a destination and more about the journey itself.
She began to see the forest as alive, responsive, almost like an old friend who knew her well.
One day, she stopped walking altogether and simply sat beneath her favorite tree.
She closed her eyes and listened, and for the first time, she heard not just the wind in the
leaves, but a kind of music, a hum that seemed to come from everywhere and nowhere at once.
When she opened her eyes, she knew she wasn't just walking a path anymore. She was part of it.
The path had walked itself through her, and she had only needed to show up, step by step,
day after day. Structure and technique. Daily practices that scale.
Daily practice is like tending a garden. Some days, you plant seeds. Other days,
you pull weeds or prune branches. The work is consistent, but the form it takes shifts
with the seasons of your life and the environment around you. Here are three practices that can
serve as anchors for your daily descent. One, walking as meditation. Start with a short walk,
five to ten minutes, focusing on the sensation of your feet touching the earth,
the rhythm of your breath, and the sounds around you. Over time, extend your walks or add layers,
such as sensory mapping. Notice how different textures, smells, and sounds change as you walk.
Pay attention to how your body responds to them. Synchronicity tracking.
Carry a small notebook and jot down moments where you feel a sense of connection or
coincidence. Reflect on patterns that emerge. Two, journaling the unseen.
Write for five minutes each day about moments where you felt a sense of play,
curiosity, or synchronicity. Over time, look back at your entries to see how your perspective shifts.
You might notice themes or recurring symbols that feel significant. Three, breath as anchor.
Practice box breathing. Inhale for four seconds. Hold for four. Exhale for four. Hold for four.
Start with one to two minutes and gradually increase the duration.
Deepen your practice by experimenting with different breath ratios or adding movement,
e.g., inhaling while raising your arms, exhaling while lowering them.
These practices are simple but profound. They scale over time, adapting to your life,
like a river carving its path through stone. Luminous definition. Evolutionary play.
Term. Evolutionary play. Meaning, a dynamic engagement with life characterized by curiosity,
adaptability, and joy. It is the way in which intelligence manifests when it is free to experiment
without fear of failure. In this state, one's actions are guided not by rigid goals but by the
natural flow of creativity and connection, much like a child exploring the world or a river finding
its path. Three appreciative questions. Start. What small step can you take today to invite
more play into your daily practice? Middle, searing. Where in your life have you resisted
the natural flow and how might surrendering to it bring healing? And how does your daily practice
reflect the interconnectedness of all things? The body Lila in daily practice. Lila is the divine
play that underlies all creation. The third factor in emergent systems. The spark that ignites
self-organization and healing. It is not something you do. It is something you align with like tuning
a tuning fork to the frequency of reality. Imagine Lila as a river. When you step into its current,
it carries you effortlessly revealing hidden depths and unexpected bends along the way.
Daily practice is about clearing the apertures in your being. Those places where fear, doubt,
or rigidity block the flow. As you clear these apertures, you allow Lila to move through you more
freely and healing becomes a natural byproduct of this alignment. This is not about forcing outcomes
but about creating space for life to unfold as it wills. It is the practice of descending into the
layers of your being, not to escape or achieve, but to remember what it feels like to be at home
in the world. Every tradition is a mirror reflecting this truth from the ancient mystics who spoke
of union with the divine to modern complexity science, which describes how systems self-organize
and dissipate energy in cycles of creation and renewal. The work is not about becoming something
new. It is about remembering who you already are, a being of play, of intelligence, of infinite
possibility. Seven seven second sentences. One, the path unfolds as you walk it. Two,
healing is not an act. It's a property of reality waiting to be revealed.
Three, play is the language of evolution. Four, daily practice is clearing apertures,
not achieving goals. Five, the cosmic and the ridiculous dance in the same space when you play.
Six, you are not walking toward enlightenment. It is walking with you. Seven, asterisk surrender
to the flow and the flow will carry, whispers along the way, aphorisms for the journey,
tuning fork, haiku, soft paws on the earth. The fox teaches, play is prayer, healing is its breath.
Guoth, the only way to make sense out of change is to plunge into it,
move with it and join the dance. Alan Watts, parable, the footprints along the river.
Every morning, as the first light touched the valley, Elara would descend the hillside to the
river. She did not go with purpose, but with the curiosity of a child, her steps light as if she
might step on a ferry at any moment. One day, she noticed something peculiar, tiny footprints in
the soft earth, too small for a squirrel, too delicate for a deer. They let along the path,
vanishing where the river bent. She followed them for weeks, always finding them again the next
morning, as if left by creatures who danced just out of sight. Sometimes she would catch a flicker
of movement, a flash of blue or green, vanishing behind a fern or into the mist. She never saw them
clearly, but she began to see the world differently. The river's murmur was no longer just water.
It was a psalm. The trees whispered not in the wind, but with one another. One evening,
as she sat by the water, an owl hooded softly overhead, and for the first time, Elara laughed,
a sound that rippled through the valley like a bell. She realized then that she had been descending
not just in body, but in spirit. The footprints were not of fairies. They were her own, smaller
now that she had learned to walk with wonder. Structure and technique, the daily descent as a
living practice. The daily descent is not a single practice, but a living structure like a river
that carves its path deeper with time. It begins with small, accessible steps and grows into a
profound way of moving through life. One, the physical descent. Start by descending literally or
metaphorically. Walk downstairs, sit in a lower chair, or imagine descending through layers of thought.
Technique, use all your senses. How does the air feel? What sounds do you notice that were muffled
above? Over time, this becomes a meditation on descent itself. Two, whisper noticing. After your
descent, pause and whisper aloud or write down one thing you notice that felt like play, wonder,
or divine intelligence in action. Technique, this trains your attention to see Lila,
the divine play in everyday life. Over time, you'll notice more and more whispers along the way.
Three, aperture clearing. A daily ritual, e.g., at dawn. Where you imagine a place in yourself that
feels blocked, a closed aperture where light or energy can't flow freely. Technique, start with
simple visualization, then deepen by journaling about the blockage, setting an intention for its
clearing, or performing a physical action like stretching to symbolize opening. These practices
are designed to scale naturally with you. What begins as a mindful walk downstairs can become
a profound meditation on descent, both in body and spirit. The whispers you notice will grow louder,
more frequent, until you find yourself living in a world where play and healing are the default
setting. Luminous definition. Luminous definition. Lila, the evolutionary play that infuses all
reality, a third factor in emergent systems where complexity and intelligence engage in a
cosmic dance. It is the hidden mechanism behind the so-called law of attraction, not as force,
but as flow, the way healing moves through cleared apertures when we align with this play.
Citation needed. Concept of Lila in sacred traditions and its reinterpretation through
complexity science. Three appreciative questions. Start. Where in your daily life have you already
glimpse Lila, the divine play hiding in plain sight, middle searing. What aperture in yourself
are you afraid to clear, fearing that what comes through might be too wild, too real,
or too ridiculous for you to bear? And how will you whisper your own truth into the world today,
as if it were a secret shared between kindred spirits? The body, Lila, and the alchemy of apertures.
Lila is not out there. It is the space between your breath and your next thought, the pause
before the joke lands. It is the way dandelions crack open sidewalks, the way children laugh
without cause, the way the universe forgets itself in the act of creation. Lila is the third factor,
the playful intelligence that emerges when structure. Healing in the flow, realities,
gentle movement, tuning fork, haiku, flowing river bends, healing whispers through the stones.
Lila dances here. Guut. The undivided wholeness is what we are fundamentally. It is not something
that we experience only occasionally when we enter into deep meditation or some special condition.
It is here all the time, as our very life. David Boehm. Parable. The stone and the river.
There was once a traveler who walked along a riverbank, watching how the water gently smooth
the edges of stones, filling cracks with minerals over time. The stones did not resist. They yielded
to the flow, and their jaggedness softened into curves. One day, the traveler noticed a deep
fissure in one stone, one that seemed resistant, as if it had hardened against the river's touch.
But the water did not force itself. It waited, patient is time, until the stone,
in its own rhythm, began to soften again. And so, the traveler learned that healing is not a
struggle but a yielding, a dance with the current, where even resistance becomes part of the flow.
Structure and technique. The daily descent into flow. These practices are designed to attune you
to the gentle movement of reality, where healing happens not through effort but through alignment.
They scale over time, deepening your engagement with Lila, divine play, and its role in self-organizing
systems. One, the observers play accessible. Spend five minutes daily watching water, rain,
rivers, or even steam. Notice how it moves, bends, and reshapes itself without force.
Why? This trains attention to the fluidity of reality,
preparing the mind for playful engagement with complexity. Two, the weaver's pattern deepening.
For ten minutes, journal small moments where you noticed cleared apertures in your life,
times when something felt effortless or aligned. Playfully weave these into a pattern, e.g.,
as a mandala or poem. This strengthens the association between play and healing.
Three, the dancers surrender, advanced. Engage in a daily task, e.g., walking, cooking, with full
presence, allowing your body to move like water, adapting, yielding, and finding flow.
Reflect. Where did I resist? Where did I dance? Luminous definition, cleared aperture,
a moment or space where resistance dissolves and reality moves through you with ease,
like a river finding its path. It is not an achievement but a yielding to the inherent play
of systems. Three appreciative questions. One, start. Where in your life do you already feel like
you are moving with the current, rather than against it? Two, middle, searing what cracks in
yourself have you been trying to force to heal when they only soften and surrender? Three. And
how might you play more deeply with the flow today, as if healing were already yours?
The body, healing as Lila's movement. Healing is not something you do. It is something you allow,
like water smoothing stone, or a river carving its path without force. This is the work of Lila,
divine play, the third factor in emergent systems, citation needed, emergent systems,
and Lila. It is the hidden mechanism behind what people call the law of attraction,
but it is far wilder, far more playful. Think of reality as a living system, always self-organizing,
dissolving and reforming like dissipative structures in physics, citation needed,
dissipative structures in healing. Healing happens when you clear an aperture,
a space where the rigidity of your identity no longer blocks the flow. It is not about fixing
yourself, but about aligning with the deeper currents of existence. Every tradition, from shamanism
to quantum physics, is a mirror reflecting this truth, that the cosmic and the ridiculous are the
same size in the play of Lila. The work is not to heal yourself, but to clear the aperture so
reality can move through you like water, through stone. When you do this, healing emerges not as an
act, but as a property like gravity or the way a seed knows how to grow. Seven seven second sentences.
One, healing is not a journey, it is the river itself. Two, the more you resist, the more reality
laughs through your cracks. Three, cleared apertures let Lila dance where you once stood rigid.
Four, you are not healing yourself, you are becoming a path for what already knows how to grow.
Five, play is the language of self-organization, speak it and watch the world respond. Six,
the law of attraction is tame compared to the wild play of reality's movement. Seven,
healing comes when you stop trying to be the artist and let the river paint. Three exercises,
building strength in the flow. One, the river's breath accessible. Sit quietly for five minutes,
imagining your breath as water flowing gently through you. Focus. Notice where you tense against
the flow physically or mentally and soften there. Why? This trains presence in the body's natural
rhythm. Two, weaving the play deepening. Each day observe a small moment where something felt
effortless, e.g. a conversation a task. Journal it as if it were part of a larger pattern,
a mandala, a poem or a collage. Why? This connects play to perception, deepening the association
between healing and Lila. Three, the dancers surrender, advanced. Choose one daily task, e.g.
walking, cooking and perform it with full presence, allowing your body to move like water, adapting,
yielding, finding flow. Reflect. Where did I resist? Where did I dance? Why? This embeds surrender
as a way of being not just an exercise. Citations, citation needed, emergent systems and Lila,
citation needed, dissipative structures and healing, citation needed, autopoiesis and evolutionary
play. This should be a complete chapter, hold on. Let me review it to ensure it flows well
and meets all the requirements. Review. One, tuning fork. Haiku is uplifting. Quote is profound.
Two, parable. Story teaches without asserting fits the theme of healing and flow. Three, structure
and technique. Practices scale over time and title Lila. Four, luminous definition. Clear and relevant
term. Five, appreciative questions. Start searing middle and questions are present. Six, the body.
Core teaching on Lila and healing is centered here. Seven, seven, seven second sentences.
Aforisms encapsulate the essence. Eight, exercises. Three exercises build in strength,
accessible to advanced. Nine, citations. Marked where needed. Everything seems to fit.
I'll double check for coherence and style. Final tweaks. Ensure voice is warm,
devotional, enchanted, AVA asher. The language should feel poetic but direct
with heart transmission. Arc. Parable dash practice dash aphorism. This chapter starts with a parable,
the stone and the river. Moves to practices, structure and technique and ends with aphorisms.
Seven, seven second sentences. Led with feeling. The language should evoke emotion,
not just intellectual understanding. Let me adjust the tone slightly to be more warm and
devotional. Revised opening to the body. Healing is not something you do. It is a surrender,
a yielding like water smoothing stone or a river finding its path without force.
This is the work of Lila, divine play, the third factor in emergent systems citation needed.
Emergent systems and Lila. It is the wild playful mechanism behind what people call the law of
attraction. But it is far more than that. It is the dance of reality itself. Revised parable
opening. There was once a traveler who walked along a riverbank, watching how the water gently
smooth the edges of stones, filling cracks with minerals over time. This feels more warm and
devotional. I'll also adjust the haiku to feel more like heart transmission. Revised haiku.
River hums its prayer. Softening my sharpest edges. I dissolve then flow. Now let's finalize
the chapter with these tweaks. Healing in the flow. Reality's gentle movement. Tuning fork.
Haiku. River hums its prayer. Softening my sharpest edges. I dissolve then flow. Good.
The un-healing is not something you do. It is a surrender, a yielding like water smoothing stone
or a river finding its path without force. This is the work of Lila. Divine play. The third factor
in emergent systems citation needed. Emergent systems and Lila. It is the wild playful mechanism
behind what people call the law of attraction. But it is far more than that. It is the dance of
reality itself. Think of reality as a living system. Always self-organizing. Dissolving and
reforming like dissipative structures in physics. Citation needed. Dissipative structures in healing.
Healing happens when you clear an aperture. A space where the rigidity of your identity
no longer blocks the flow. It is not about fixing yourself but about aligning with the
deeper currents of existence. Every tradition from shamanism to quantum physics is a mirror
reflecting this truth. That the cosmic and the ridiculous are the same size in the play of Lila.
Playing with evolutionary intelligence. Tuning fork. Hiku. Peacock spreads its wings.
Patterned by ancient codes. Dance of descent begins. Guwat. Play is the exponent through which the
universe expands itself. Citation needed. Parable. The weaver and the web. Once in a village nestled
between mountains and rivers there lived a weaver named Lila who was known for her intricate tapestries.
She would sit by the loom. Her fingers dancing over the threads. Creating patterns that seemed
to shift and change when viewed from different angles. One day a traveler came to the village.
An old woman with eyes that held the depth of ancient forests. She watched Lila at work for
hours saying nothing. Finally she spoke. Your tapestries are beautiful but do you see the deeper
pattern? Lila shook her head lost in the rhythm of her work. The old woman continued. Every thread
you pull is part of a larger dance. A play of forces that shape and reshape the web. You think
you guide it but truly it guides you. Lila paused her hands still over the loom. She realized then
that her tapestries were not just her creation. They were expressions of something far greater.
Something that played through her as much as she played with it. From that day on Lila wove
differently. Her tapestries became living things. Shifting with time and viewer. Reflecting the
unseen forces at work in the world. Stuikjuritiknik. Daily descent. A practice of descending into layers.
Physical. Emotional. Mental. Spiritual. To attune to the movement of evolutionary intelligence.
Start with a simple observation. e.g. water flowing. Leave shifting. Reflect on its connections
to larger systems and end with an action that integrates the insight. Pattern play. Engage with
patterns in nature. Rivers. Trees. Clouds. As mirrors of evolutionary intelligence. Notice how small
changes create ripples that shape larger systems. Thread weaving. Metaphorical or literal weaving.
Journaling. Drawing. To trace connections between experiences and observe how they form evolving
patterns. Luminous definition. Luminous definition. Term. Evolutionary intelligence. Meaning.
The innate self-organizing capacity within all systems. Living and non-living. To adapt,
learn and evolve through play. Pattern and emergence. It is the unseen hand that shapes complexity.
Moving through cleared apertures. Spaces of openness. To manifest healing and creativity.
Three appreciative questions. One. Where in your life do you sense the playful movement of
evolutionary intelligence? Two. What patterns have you been resisting that might be inviting
you into deeper play? Three. How can you clear an aperture today to let Lila's dance move
through you more freely? The body. Playing with evolutionary intelligence. Lila is not just a name.
It is the divine play that underlies all creation. It is the fun within evolutionary intelligence.
The third factor in emergent systems. The real mechanism behind what people call the law of attraction.
Healing is not an act of the self. About a property of reality moving through cleared apertures.
Spaces where resistance dissolves and openness emerges. Every tradition. Every myth. Every scientific
theory is a mirror reflecting what we already are. Participants in this grand play. The work
is to clear these apertures. To recognize that from the place before form. The space where the
cosmic and the ridiculous are one. Everything can be told as play. Aligning with real complexity
science. Self-organization. Dissipative structures. Autopoiesis shows us that systems evolve not
through force but through fluid. Playful interaction. Attractors. Stable patterns that emerge in complex
systems are not goals to chase but invitations to dance. When we clear apertures whether through
meditation movement or simply by paying attention. We allow Lila's intelligence to move through us.
This is the enchanted descent. Descending into the layers of our being while ascending into the
vastness of evolutionary play. Seven, seven second sentences. One, Lila laughs in the gaps between
your efforts. Two, healing is not willpower. It's aperture power. Three, every tradition is a mirror.
Look closer. Four, evolutionary intelligence speaks in patterns, not commands. Five,
the ridiculous and the sacred share the same size when you descend deep enough. Six, play is the
exponent through which the universe expands itself. Citation needed. Seven, clear an aperture. The
rest will flow. Three exercises. One, accessible, aperture gazing. Sit in nature or before a candle
flame. For five minutes. Noticing where your attention sticks or resists. Breathe into that
resistance until it softens. This is clearing an aperture. Two, deepening pattern tracing.
For one hour, trace the evolution of a single pattern in your life. E.G., a recurring dream,
a habit, a relationship. Journal how it reflects larger systems. Three, advanced, Lila's dance.
Create a ritual where you move your body to embody evolutionary intelligence. Dancing like water,
shifting like wind, or weaving like a spider's web. Record insights that arise during and after.
Citations. The haiku is original. For the quote about play being the exponent of universe expansion,
source verification is needed. Possible sources might include deep ecology or systems theory
texts, but this requires further research. Complexity science references, self-organization,
dissipative structures, autopoiesis, can be attributed to ilioproggene, Hermann Haken,
and Umberto Maturana and Francisco Varela, respectively. Other citations could include spiritual or
philosophical works that discuss divine play. E.G., capitalistic texts, Taoist writings.
Citation needed. Play is the exponent through which the universe expands itself.
Further research is needed to attribute this quote accurately.
Possible directions. One, explore deep ecology or systems theory literature for similar ideas.
Two, check mystical or esoteric traditions that discuss divine play. E.G., Hindu concepts of Lila,
kabbalas, sinsum. Three, review modern interpretations of play in evolutionary biology or complexity
science. For now, the chapter stands as a complete hollan, but the citation requires
attention in a later draft. Okay, I'm writing chapter five of the Enchanted Descent, titled,
Playing with Evolutionary Intelligence. The book is about daily practices for evolutionary play
and healing, specifically focusing on descending through stages. This chapter needs to be a standalone
hollan, but also fit within the book's structure. First, I need to gather all the elements required.
One, tuning fork, a haiku, and a profound quote. Two, parable, a story that teaches without asserting.
Three, structure, and technique. Practices that scale over time. For luminous definition, a gold box
definition of a key term. Five, three appreciative questions. Start searing middle one and six,
the body, the actual teaching centered on Lila. Seven, seven, seven second sentences.
Aferisms. Eight, three exercises, building in strength over time. Nine citations, real sources,
or marked where needed. Step one, tuning fork. I need a life uplifting haiku and a profound quote.
Haiku, I think about the essence of evolutionary play. Maybe something about water, flow, or
transformation. Water flows, reshaping stone. Evolutionary dance. Play in every current,
but that feels a bit abstract. Maybe more concrete imagery. Peacock spreads its wings.
Patterned by ancient codes, dance of descent begins. That's better. It has movement and evolutionary
intelligence. I need something about play, evolution, or healing. Play is the highest form of human
intelligence. Herbert Gerber, but I'm not sure if that's profound enough. Maybe something from a
spiritual or scientific perspective. How about, healing is not an act of will, but a property of
the universe moving through us when we are clear. Not sure who said this, so maybe I need to find a
real quote or mark. Citation needed. Alternatively, from David Bohm. The totality is beyond our normal
perception. It's like a vast ocean of potentiality. But perhaps better to use something more aligned
with evolutionary intelligence and play. Maybe from Jane Goodall or a similar figure. For now,
I'll go with haiku. Peacock spreads its wings. Patterned by ancient codes, dance of descent begins.
Gua? Play is the exponent through which the universe expands itself. Citation needed. Find source
or attribute properly. Step two, parable. A story that carries the teaching without asserting it.
It should be about evolutionary play, perhaps with elements of nature or transformation.

Where this came from

The Daily Descent — The Living Economy, and other narrations. Written by Ammanuel Santa Anna and published by Luminous Prosperity Inc. at hautelumiere.life.

Written with machine assistance, in a declared practice rather than a quiet one — the method is itself a published paper with a DOI: Externalized Cognition: A Developmental Theory of Human–AI Co-Creation, doi.org/10.5281/zenodo.21914929. The argument, the judgement and the name on the cover are the author's; the whole statement is at store.hautelumiere.life/method.

Yours to quote, excerpt, translate, teach from and build on — with attribution, and not for resale. CC BY-NC-ND 4.0. If you are teaching from it you are not taking it; you are doing the thing it was written for.